Sunday, November 30, 2008

John F. Stratton, New York


Antique Civil War Drum and Drum Sticks inside marked John F. Stratton, Military Drum, 108 E. 23rd St., New York. Drum is 16" tall and 16.5" in diameter. Each drum stick is 15.5" long.
Price: $1,290.00
SALE: $900.00


Valentine Antique Gallery
579 West Cherry St., #B
P. O. Box 393
Sunbury, OH 43074
740-965-9519
Fax: 740-965-9419
info@valentineantiquegallery.com

IS IT AUTHENTIC OR BOGUS?: Brass Eagle Drum attributed to Spanish American War

[Ed. Note: Not sure about this drum. Looks too good. Reminds me of the Pakistani imports. Any thoughts?

This comment from "ropedrum": I agree. This is a Pakistani drum, probably less than 15 years old. What is certain is that it is NOT American made, not from any American conflict. Pakistan, being a former British colony, adopted the British military band instruments, and this is an example. The dead give-away is the brass sling-hook. American drums had no such carriage. Nor were American drums equipped with white leather, that is a British trait.

The description assumes the drum to be Span-AM "based on its brass shell." Truth is, brass shell were in use long before the Civil War and there are a few authenticated examples. The painted eagle is an exact copy of every Pakistani drum I've seen. Perhaps it is a decal. The guts snares are way too thin, like all Pakistani drums, and the skins are way too thick, as well.

The description lists the drum as 14.5 x 14.5. That would indicate the actual drum size is closer to 11 x 13, though I assume it is the "British" standard of 12 x 14.

If this guy can get $2.5K for this thing, I'll sell my wooden version of the same, which I paid $99 new. Maybe I can say it IS a Civil War relic and fetch $4K!
]


3 IWP - EXQUISITE ANTIQUE OFFICIAL U.S. ARMY HAND PAINTED EAGLE DRUM. Identical to U.S. Army eagle drums used during the Civil War, but this one is an equally official specimen from the Indian War-Spanish American War period – the post-Civil War dating is based on its brass shell. This is the finest example of the official U.S. Army Infantry eagle drum I have encountered in over 46 years in the militaria business. I thought so much of this drum, I retained it for over 30 years. This is Americana of the highest order – patriotic art in the classic form. Measures 14½” high and 14½” in diameter. Rims are red. Body is sheet brass. Half the body is faced with dark blue paint, upon which the spread eagle insignia is entirely hand painted in full color…totally identical to Civil War specimens, done professionally, and in perfect condition. All parts are original...snares, ropes, tugs, heads, rims, body. Issued to U.S. Army Infantry Regimental bands, and has the classic ribband held in the eagle’s beak reading “REG. U.S. INFANTRY”. Excellent, original heads. Top head has 5” tear along one edge. Rest is excellent. Fine original rim paint. Fine original rope, including the braided loop underneath. Fine gut snares. Brass snare adjuster. Brass belt hook. White buff leather tugs. Brass body excellent, needing polish on unpainted area, now tarnished darkly. An exquisite portrait of the American Emblem, the spread eagle/shield in full color. $2,500

Anderson Militaria
P. O. Box 39063, Ninilchik, AK 99639
907-567-4474
dandersonmilitaria@gmail.com

Saturday, November 29, 2008

Horstmann & Bros, Eagle & Shield, Regimental, 15 inch


Drum; Civil War, Horstmann & Bros, Eagle & Shield, Regimental, 15 inch.

A Horstmann & Brothers signed Civil War Regulation Regimental Eagle Drum; image courtesy of James D. Julia, Inc. Item D9982262

Category: militaria
Type: drums & bugles
Origin: Pennsylvania
Year: 1861 - 1865

A Civil War Regulation Regimental Eagle Drum. Painted ribbon reads "__ REG. U.S. INFANTRY" held in beak of painted eagle with patriotic shield. Maker's label inside reads "MANUFACTURED BY HORSTMANN & BROTHERS & CO. MILITARY FURNISHERS. FIFTH & CHERRY STREETS, PHILADELPHIA". A fine, untouched drum and it would be hard to find a better one.

PROVENANCE: available on full record.
CONDITION: available on full record.
DIMENSIONS: available on full record.
PRE-SALE ESTIMATE: available on full record.
PRICE REALIZED AT AUCTION: available on full record.


Source: p4A.com, ltd.

Friday, November 28, 2008

Moodus Drum and Fife Corps, 1860 (?)


Collins Mill, North Wilbraham The "Moodus Drum and Fife Corps" in front of Collins Inn at North Wilbraham. Moodus is in CT, the drum shows the date 1860. The group exists to this day: Moodus Drum and Fifes Corps. A visitor to this site [Joe's Wilbraham Photo History Page] writes "My opinion based on the men's clothing and hair styles (and especially those derby or bowler hats worn by several of the men) is that this photo dates from the late 1800s, say maybe 1890 or 1900. Several of the gentlemen standing behind the corps members look to be Civil War vets, wearing their decorations, most likely on Independence Day in Wilbraham".

Note that, notwithstanding the comment about bowler hats being from the late 19th century, see this from wikipedia:

The bowler hat, also known as a derby (US) or billycock, is a hard felt hat with a rounded crown originally created in 1849 for Edward Coke, the younger brother of the 2nd Earl of Leicester. The bowler hat was devised in 1849 by the London hatmakers Thomas and William Bowler to fulfil an order placed by the firm of hatters Lock & Co. of St. James's, a company established in 1676 which is still in business.

And this from Hats in the Belfry:

The Bowler Hat, also known as The Derby Hat, was introduced in the 1850's. The Bowler hat is the first hat credited for being mass produced and priced to meet everyone's budget, because of this the Derby Hats were worn by virtually every class of society.

Ludwig ca. 1920 with Renaissance-like artwork


(drum Donated to the Percussive Arts Society by Velma Lee Williams)

This highly ornate drum, measuring 17" x 14", was manufactured by Ludwig & Ludwig in Chicago, Illinois, most likely in the 1920s. The drum has hoops inlaid with pearl, double-tension tube lugs, and three hand-painted scenes on the shell. Although the paint has deteriorated, one can tell that each scene depicted some type of Renaissance setting. The strainer is of simple design that does not allow the snares to be turned off.

Drummer Boy of Rappahannock


Frontispiece from Dodge, Drummer Boy of the Rappahannock


Robert H. Hendershot, about 1895, with GAR badges & "Drummer Boy" medal. Photograph from Gerry, H. E. Campfire Entertainment, 1903


Source of above photos: "Robert Henry Hendershot" on wikipedia.

ID'D CDV "DRUMMER BOY OF THE RAPPAHANNOCK" - ROBERT H. HENDERSHOTT, 8TH MICHIGAN

[image not available]

Exceptional full length view of this well known drummer boy, posed with drumsticks in one hand; his arm rests on his drum which sits on a table at his side. His hat rests atop the drum, and there are two US flags also. FM: C. Gullmann, Artist Po' Keepsi, N.Y. No BM. Overall very fine condition, light soiling throughout. Very minor paper loss to image at upper right edge.

Robert Henry Hendershott was born in Cambridge, MI in 1850. A rambunctious and rebellious child, he ran away from home and performed with the Dan Rice Circus for a time, until being offered a messenger's joby with the Lake Shore & Michigan Railroad. When the war broke out, he immediately enlisted as a drummer boy with a boys' company, at the tender age of 10, and continued to get into mischief. When told he was too young to enlist to service with a company of the 9th Michigan, he stowed away onboard their train and convinced it's commander Captain Charles DeLand to use his services as his helper. DeLand soon sent him back home to his mother, but Hendershott returned to the regiment & offered his services as a drummer to Co. B of the same regiment, being finally mustered in in March 1862. Hendershott continued to get into trouble, stealing a pig, leaving camp without orders, etc.

On 7/13/62 at Murfreesboro, TN, Hendershott, along with most of the regiment, was captured & taken prisoner. He was shortly thereafter paroled & sent to Camp Chase in Ohio; he then told authorities that he suffered from epilepsy, attaining a discharge. He must have soon been bored with home life, as he soon re-enlisted in the 8th Michigan, giving the false name of Robert Harry Henderson. he served as drummer for the regiment's recruiting party, but was charged with desertion after making an attempt to reach the front. Robert was discharged, but turned up again, enlisting for a third time in November 1862.

At the Battle of Fredericksburg, Hendershott gained his nickname after he told the story that when the regiment crossed the Rappahannock, he was told to stay behind as he was too young, but he clung to the back of the boat and made his way across. His drum was destroyed by a shell, took a Confederate prisoner. Another story told by Hendershott in the 1890's was quite a different tale - when reaching the opposite bank, he took part in the plundering & looting of the city, set a house on fire, took a Confederate prisoner and marched him to General Burnside, who offered his congratulations. There were also varying accounts of his being wounded at Marye's Heights.

Newspapers printed his heroic story following the battle, spreading the tales of his exploits far & wide. Shortly thereafter, it was discovered that he had enlisted under an assumed name, and was yet again discharged & denied pay. He travelled to New York City and was given a hero's welcome; he also traveled to England, and was given a new drum. In 1864 he enlisted again, this time in the Navy, but simply left after just a few months.

After the war, some began to come forward to contest Hendershott's claims of his actions at Fredericksburg, including the regimental drum major who said that Robert was ill the day of the battle. He denied all charges of falsehoods throughout the remainder of his life, until he died in 1925 at the age of 25. Though he remains one of the war's best known drummer boys, his reputation was permanently sullied.

Source: Too Young To Die - Boy Soldiers of the Union Army 1861-1865 by Dennis M. Keesee.


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America’s Civil War: Drummer Boy of the Rappahannock

During the Civil War the oft-reported tales of brave little drummer boys became symbolic of feats of soldierly virtue and noble, selfless sacrifice. The best known of those young men was Johnny Clem of the 22nd Michigan Infantry, who is said to have inspired Samuel Muscraft’s popular play The Drummer Boy of Shiloh. There were others, however, who also claimed honors due to their wartime service. One of them was Robert Henry Hendershot, a Jackson, Michigan, boy.

War fever had gripped Jackson after the fall of Fort Sumter, and like many others Hendershot longed for the glory of battle. His widowed mother may also have hoped that military life might instill some discipline in her delinquent son. He was a frequent runaway, and his aversion to school was such that he could not even sign his own name. He claimed to be 10 that summer of 1861, but like many aspects of his life, that is in dispute, as various documents give birthdates ranging from early 1846 to 1851, and no less than four different birthplaces, from Michigan to New York City.

When he enlisted, Hendershot was a slight-framed boy, 4 1/2 feet tall, with fair hair, hazel eyes and a ruddy complexion. He bore a deep scar under his right eye that he would submit as his first badge of courage. He soon dropped his implausible claim to have received that scar as the result of a severe wound at Shiloh. (At the time his regiment had been camped more than 600 miles away.) By the end of 1862, though, events at Fredericksburg would give him another, more believable opportunity for fame.

In the fall of 1861, Hendershot was a fixture in the camp of the Jackson County Rifles. There, he incessantly practiced his drum calls, an activity that caused at least one recruit to call him ‘a perfect little pest.’ He apparently accompanied the Rifles to Fort Wayne, outside Detroit, where the unit became Company C of the 9th Michigan Infantry. Robert claimed to have enlisted along with the others, but said that the mustering officer rejected him because of extreme youth. In any case, he boarded the train that carried the regiment south, either as a stowaway or as a servant to Captain Charles V. DeLand, the commander of Company C and editor of Jackson’s American Citizen.

Robert formally enlisted in the 9th in March 1862, when the regiment moved from Kentucky to Murfreesboro, Tenn. He remained with Company C, which was posted at the Murfreesboro courthouse as provost guards. He was there on July 13 when Confederate Colonel Nathan Bedford Forrest launched a pre-dawn raid on the town. During the battle, Robert claimed that he fearlessly exposed himself to enemy fire, a claim later substantiated by several 9th Michigan soldiers.

The courage demonstrated by Hendershot and others proved useless, however. By the end of the day Forrest had captured the entire Union garrison. (See March 2002 ACW for an article on the raid.) Afterward, the enlisted men were paroled and sent to Camp Chase, Ohio. Soon after, on July 31, 1862, Robert was discharged, either because of wounds or for extreme youth, he would say. In fact, Hendershot was medically discharged because he suffered frequent and severe epileptic seizures, which had plagued him since early childhood.

Although his parole forbade him to fight against the Confederacy, in early September Hendershot appeared at a Detroit recruiting office. Because of the parole, he signed on with an alias, ‘Robert Henry Henderson.’ His critics would call that despicable, while others would say that it had been a common practice. Hendershot claimed he had done so at the urging of the recruiter, Lieutenant Michael Hogan.

At first there seemed little chance that Hendershot would find himself back on the battle line, for Lieutenant Hogan decided to retain him as his personal servant and aide. And so he remained for over two months, until the arrival of Chaplain George Taylor. Taylor developed a fondness for Robert and gained permission to have Hendershot placed under his care.

See also:

Robert Henry Hendershot

Robert Henry Hendershot; Or, The Brave Drummer Boy of the Rappahannock, by William Sumner Dodge, Church and Goodman pub., Chicago, 1867.

Drummer Boy of the Rappahannock, by Donald C. Pfanz, America's Civil War.

-----

Was there more than one "drummer boy of Rappahannock"?

See "Two Hundred and Fiftieth Anniversary Celebration of Sandwich and Bourne", Sandwich, Massachusetts, September 8, 1889, by Ambrose E. Pratt, Falmouth, Mass., Local Publishing and Printing Company, 1890, p. 92, which reported that Col. Myron P. Walker of Belchertown, once a drummer boy in Co. C 19th Regiment, was in 1899 dubbed the "Drummer Boy of the Rappahannock" by a Toastmaster who said:

"When the war broke out there was a little fellow in a small town of Hampshire county, only thirteen years of age who was bound to go to the front. His good mother demurred, yet he was determined to go and upon the assurance that he would be well looked after by some of the larger boys, her consent was given, and the lad enlisted as a drummer boy in Co. C. 10th Regiment, and in the army records became known as the drummer boy of the Rappahannock. During the long marches, when the short legs of the diminutive drummer boy would weaken, and marching was a severe ordeal for him, the great, strong men would take him on their shoulders, and while he slept they would carry him over many a weary mile. It gives me great pleasure, in calling upon him at this time, not so much because he is your guest, not because he is Past Department Commander of the veterans of this commonwealth, but because of our personal friendship, and I give this sentiment:

The soldier in time of war, the bulwark of the nation; in time of peace one whom it is a delight to honor; one who compels our admiration, as he "Shoulders his crutch and shows how fields are won." For all he dared, remember him today. And to respond I call upon the "Drummer Boy of the Rappahannock," Col. Myron P. Walker, of Belchertown.


So, which is it? Was Hendershot or Walker the "Drummer Boy of Rappahannock"? Maybe both?

The Rappahannock River is a river in eastern Virginia. Hendershot was with Co. C, 9th Michigan. Walker was with Co. C, 10th Regiment Massachusetts.

According to Union Regimental Histories, the Massachusetts 10th Regiment was at Rappahannock Station November 7, 1863. So, Walker probably was there (see below -- he enlisted in 1861 and was with the 10th until 1864).

And, Hendershot's claim to the title is well-documented. See, e.g., Robert Henry Hendershot; Or, The Brave Drummer Boy of the Rappahannock, by William Sumner Dodge, Church and Goodman pub., Chicago, 1867.

So, it appears that although Hendershot earned the title virtually contemporaneously with the Civil War (see e.g., the recommendations of Hendershot ca. 1866 to President Lincoln for Hendershot's admission to West Point, including one from General Grant, Letters, p. iv, et seq.), at least by 1899, some 35 years or so after the Civil War, some in Massachusetts were referring to Walker by the same title.

Myron P. Walker (1885) of Springfield son of Asa and Fanny Pease Walker was born in Belchertown Feb. 18, 1847. He married in London, England in June 18, 1878 Mary N. Crocker. He was educated in the public schools of his native town.

Mr. Walker (1885), at the breaking out of the War, when only fourteen years of age, left school and entered the service as a drummer boy. The Belchertown company which he intended to accompany, being disbanded, he went to Springfield, offered his services to a Northampton company in the Tenth Regiment of Massachusetts Volunteer Infantry. At first his services were declined on account of his size and age, but afterwards he was accepted as a drummer boy in this regiment, with which he remained at the front until the return of the regiment in June, 1864. He then found employment in a country store at Belchertown, and in 1868 went to California, where for a time he was again clerk in a store. In 1870 he accepted a situation in the general agency of the Pacific Mutual Life Insurance Company, of Sacramento, Cal, and after went to San Francisco and was interested in a general agency of New York companies. In 1878 he returned to his native town.

Mr. Walker (1885), Jan 4, 1886, was appointed assistant adjutant-general with the rank of colonel on the staff of Gov. Robinson. He is a member of the Grand Army; was commander of the department of Massachusetts in 1888; member of the State Senate 1885-86; is a member of the Masonic Fraternity and the Independent Order of Odd Fellows. He has been president of the Tenth, and is an honorary member of the Thirty seventh Regiment Association.


History of the Military Company of the Massachusetts, Now Called the Ancient and Honorable Artillery Company of Massachusetts. 1637-1888 By Oliver Ayer Roberts

Conclusion: Both Hendershot and Walker were drummer boys, but only Hendershot was "The Drummer Boy of the Rappahannock".

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However, Walker certainly was entitled to the abbreviated title, "Drummer Boy" as is evident from this report of resolutions adopted by the Massachusetts Senate, October 22, 1998:

Resolutions (filed by Mr. Brewer) "on the occasion of the dedication of a government headstone at the Mount Hope Cemetery in Belchertown in memory of the 'Drummer Boy' Myron P. Walker", were referred, under the rules, to the committee on Rules. Subsequently, Mr. Rosenberg, for the said committee, reported, recommending that the resolutions ought to be adopted; and they were considered forthwith, under a suspension of the rules, moved by Mr. Nuciforo, and adopted.

-----

And, for further research, note this from the Archival Holdings of The Belchertown Historical Association:

Box 036b – Military; Civil War
20. Newspaper, “The Civil War Drummer Boy from Belchertown”, Cold Spring Gazette, 1961

Box 065 -- Myron Walker Memorabilia
6. One News clipping- No. 209- Cartoon of the Drummer Boy of Belchertown, Springfield paper -- no date.

13. Four photos -- Myron Walker, Drummer Boy- 2 1/2 by 4 1/4 inches

29. Nine copies — "A Drummer Boy's Tribute to his old friend and Commander, Col. Joseph B. Parsons."

30. Four copies of Walker genealogy and autobiography of Myron P. Walker.



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BELCHERTOWN HISTORY -- A summary of the history of the Town of Belchertown originally written in 1960 by Kenneth A. Dorey and revised in 2005 by Shirley Bock, Doris Dickinson and Dan Fitzpatrick specifically for the Town of Belchertown Web Page.


Belchertown’s population at the time of the Civil War was 2,700. However, it sent 230 men to fight the War Between the States. The pride felt by the citizens is best typified by the Little Drummer Boy, Myron Walker, whose story is told later. ***

During the Civil War, the town contributed 280 soldiers; among them was the 14-year old drummer, Myron Walker. For some time previous to his enlistment, he had been an expert at the handling of drumsticks. Once while he was drumming in a drill in Ware, he attracted the attention of a visiting German count, who was so impressed by the lad’s playing, he presented an inscribed silver cup to Myron.

When the war started, many of Myron Walker’s local associates joined the army, but they did it too slowly to suit Myron. So he accompanied an eager number of townspeople to Springfield, and then, with the consent of his parents, joined the army at the age of 14. He was attached to Company C of the Volunteer 10th Regiment of the Massachusetts Infantry.

The day after the Battle of Fair Oaks, while Walker was using his battered, smoke-blackened cup to fill his canteen at a stream, Gen. McClellen came riding along on his horse and asked the lad for a drink. The boy handed it to him and apologized for the condition of the cup. The General’s response was so pleasantly sympathetic that he left behind a great admirer. Walker served as a musician with the army for four years and was present during many of the hard-fought battles. Drummer boys were usually assigned to assist the doctors and surgeons.

Returning to Belchertown after the war, he later went to California where he entered the insurance business. He returned to Belchertown and built a house on Main Street in the center of town. He became involved with the Grand Army of the Republic and with state politics and became a state senator for one term. He invited the soldiers of the 10th Regiment to a reunion in Belchertown. This turned out to be one of the largest events held in Belchertown. Special trains brought the veterans to town, parades were held, and the houses were decorated by a decorator from Boston. The governor and his entourage came to the celebration, and a dinner for all those attending was served on the Common. In 1980, his house on Main Street was scheduled to be torn down for a bank and a new post office building. The house was rescued by resident George Jackson, and by cutting it into three parts, it was then transported to its new location on State Street (Rte. 202) where it was reassembled. This architectural loss to the town center was replaced by a set of modern buildings.


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Also, State Senator Myron P. Walker, of Massachusetts, was the famous "drummer boy of the Tenth regiment," entering the service when he was 14 years old, and remaining in it three years. Rochester Democrat and Chronicle, Friday, January 2, 1885.

13th Pennsylvania Infantry Eagle Drum


PAINTED EAGLE DRUM IDENTIFIED TO 13TH PENNSYLVANIA INFANTRY

Eagle drum measures 16"x16"x13.75". It does not have heads or ropes. There is a standard Federal Eagle painted on the front, colorful and nicely done. In the eagle's beak is a streamer with pre-painted "Reg. U.S. Infantry" in white. Carved into the wood in front of that lettering is "13. PV"; after "Reg". is carved "Co. G." There is a tack pattern around the peephole on the side.

The 13th PA Volunteers mustered in at Harrisburg on April 25, 1861, and served in York, Chambersburg, Greencastle and Williamsport, PA. The drum came from Bedford County, which is where Co. G of the regiment was recruited. The regiment also escorted Rhode Island Battery to Martinsburg, VA, and after service at Harper's Ferry returned to Harrisburg, mustering out on August 6, 1861.


The Horse Soldier Archives

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Additional photos of the same drum from Michael Simens described only as:

556 - CIVIL WAR DRUM, IDENTIFIED TO COMPANY G OF THE 13TH PENNSYLVANIA VOLUNTEERS.

Gettysburg Bass Drum


AN EAGLE-PAINTED "GETTYSBURG BRASS DRUM" FROM THE ARTHUR OTT SHIELDS MUSEUM OF GETTYSBURG, PA

From the life-long collection of Ott Shields started in 1918, the museum opened in 1925 on the first day's battlefield, Route 30 West next to the Buford monument. Shields, a native of Gettysburg whose family dates back to the early settlers of Gettysburg, began to acquire relics from a variety of sources - from "eyeballing" relics on the fields and from contributions from friends and family. Over time the collection grew in size and quality, much of the material having been picked up by local townspeople soon after the fighting stopped.

In 1985 the family decided to close the museum with the National Park Service buying the land and building. The collection was sold at the Redding Auction Companyin the 16th November 1985.

This bass drum measures two feet in height and has a two foot diameter drumhead. It still has its faded wingspread American Eagle design on the side of the drum, measuring 16" x 10". The drum's wood shell body has a varnish that has turned darker over time. No maker's label. The drum is in untouched condition, having never been cleaned or repaired. Comes with a copy of the auction catalog along with a copy of a North South Trader magazine article about the auction.

EXTRA SHIPPING REQUIRED.

(541-01) $5,500.00
Price: $5,500.00
Quantity: 1
LookUp Code: 541-01
Shipping: Determined by method & location of buyer
Inquire: Inquiry
To Order: Call 717-334-0347, Fax 717-334-5016 or E-mail info@horsesoldier.com


-----

And this from The Horse Soldier Archives:


The Shield museum collection was begun in 1918 by Arthur H. Shields, one of a number of Gettysburg family collections - Rosensteel, Zeigler, Wert, Mumper, Danner & others - that consisted primarily of "battlefield pickups" by locals after the Battle of Gettysburg in the summer of 1863. This collection was sold at a famous public auction in Gettysburg in November of 1985, to an assemblage collectors, dealers & buyers. Among the items was this bass drum, which still retains its auction tag. One of three known Gettysburg drums!

The drum measures 2' in height, and the drumhead is 2' in diameter. Dark varnished shell with faded original spread eagle (16" in width, 10" in height) over "peep" hole. 10 hoop eyelets. No makers mark. Original shell, hoops, & ears-head & ropes date from the 1880s.

Thursday, November 27, 2008

Shiloh Drum


Bugle, used by I. Straw, 32nd Il Vol Inf Co C. Drum used at the Battle of Shiloh by 11th Il Vol Inf Co B.

Source: Logan Gallery Exhibit, Illinois State Military Museum

Tuesday, November 25, 2008

Early Federal Period Drum


Exceptional Revolutionary War era (possibly early Federal period) drum, from an Osterville home.

MV AUCTIONS
"Auctions of Cape Cod and the Islands"
Auctioneers & Appraisers
Phone 1-508-771-1722
mvauctions@aol.com

What Not to Do to a Vintage Drum


Civil War Drum – The drum has a Civil War label, which reads “John F. Stratton, Military Drums, 105 E. 22nd Street, NY.” Stratton was at this address from 1861-1864. The decoration on the drum consists of brass tacks around, and vertically in line with the peephole, and a patriotic (red, white, and blue) painted pinwheel. After the Civil War, this drum was recycled and was used later, probably by a state militia unit. At that time (about the Spanish American War) a decal of an eagle was put on the drum. At first glance, all collectors dismissed the drum as of Spanish American War vintage, and gave it no consideration as being Civil War. Knowing that it was Civil War because of the undeniable label, it was decided to remove the eagle and cover the spot where it had been with the patriotic pinwheel. The rational was that: (1.) The drum was probably unpainted originally; (2.) The decal ruined its credibility; (3.) Removing the decal left an area where the original varnish and stain was gone; and (4.) It was better to cover the area with a generic folk / patriotic design than to leave it disfigured. The drum measures 11 3/4" high and 14 5/8” in diameter. The low height plus the peephole being off center indicates that the drum was cut down slightly from its original height, probably at the same time the decal was added. This drum is from the Budny Collection and is the one pictured on page 67 of our new book, Union & Confederate Civil War Headgear & Related Militaria. Great price for a Civil War marked drum. (55.92)

The Manual of Arms
PO Box 27
Schoolcraft, Michigan 49087
269-273-2211

Union Drummer Boy CDV


Civil war CDV of an unidentified Union Drummer boy posing in a photographer's studio in his uniform and kepi, while holding a drum and drumsticks. Backmark of "R. A . Lewis, New York". Touch of wear to upper right corner. Else, beautiful contrast and toning in this very collectible image.

J. Cosmas Vintage Photography
Cartes de Visite
128 Colonial Road / Providence, RI 02906 / 401-421-2628

Drum of Henry Lyman Bates


468 Drum that Henry Lyman Bates carried in the Civil War ca. 1970s 1 photograph : b&w.

Note on verso reads: the drum that Henry Lyman Bates carried in the Civil War. Also his Bible and the watch given him by a dying soldier. Attached note reads: Henry Lyman Bates Anthony Burns in 1854, Ladies Anti-Slavery Society John Brown's said 1859. So. Carolina Dec. 1860 [Catalog record in progress.]


Official Website of the Town of Burlington, Massachusetts
Miscellaneous Items
Town Hall
29 Center St
Burlington, MA 01803
781.270.1600

Edward (Edwin) Black, Drummer Boy, 8 Year of Age


Edward’s Civil War drum,
now in the collection of the
Children’s Museum of Indianapolis

Edward Black was born in 1853, and on July 24th, 1861 he signed up with the 21st Indiana Volunteers’ 1st Regiment as their drummer boy. At 8 years old, it is believed to this day that he was the youngest Union Army solider, and the youngest ever since to enlist in the armed services.

Drummer boys were in use before the Revolutionary War to maintain a “pace” or rhythm for marching or charging a line. By the time of the Civil War their use had started to decline, and in 1862 President Lincoln ordered that drummer boys be discontinued in order to stem the tide of young boys being killed in the war. The drummer boy was often out in front of the advancing troops, and the enemy often aimed at them in order to cause the advancing line to fall out of step.

Edward went home to Indiana as ordered but didn’t stay for long - he re-enlisted again with his father that very same year, and they both served until the war’s end. He was taken prisoner in the Battle of Baton Rouge but survived to be a Civil War veteran at the ripe old age of 11.

Unfortunately, he died at age 19 in 1872, never having full recovered from the traumatic experience of war. He is buried in Section 16, Lot 148.


Source: "Lost Indiana".

Soistmann (?) Eagle Drum

Ohio Civil War drum with photo of the drummer, Corporal Henry Lawrence Smith of "A" 70th Regiment, Ohio Infantry. Possibly made by C & F Soistmann, Philadelphia. Size: 16" high x 17" diameter. Item no. A471

Charles L. Flint Antiques Inc. ~ Museum Quality Art & Antiques 52 Housatonic Street • P O Box 971 • Lenox, MA 01240
Tel (413) 637-1634
Fax (413) 637-0222

J. Ashton Eagle Drum


12MCW - CIVIL WAR HAND PAINTED EAGLE DRUM. The all time classic of Civil War collecting. An object which has transcended its basic use to become a symbol of the War, The Union, and an icon of patriotic Americana. Collectors of folk art are our most enthusiastic, affluent, and frequently successful competitors for this drum. Just seeing it evokes images across the spectrum of the people, symbols and events surrounding the War, and the times. 16 3/8" high, 16 1/2" in diameter. Shell appears to be oak, finished in light mahogany. Rims are red. One side of the shell has a 16" wide painted panel, its design familiar to all, and featuring a fierce spread eagle, shield and ribband with national motto "E Pluribus Unum". Paint is in wonderful shape and color is strong. About 90% original; a minor amount of paint flaked off in typical fashion leaving narrow horizontal bare spots. All of this has been professionally restored by the preeminent experts at Cooperman Drum & Fife Company in Connecticut. Over-painting was NOT employed. Next to the painted panel is an original 7" wide panel of brass tacks added in decorative fashion to enhance the vent area. Heads, ropes (to include the drag) and tugs are professionally restored. Condition of drum is beautiful. Rims have a wonderful old looking red, with overall light surface wear. A rim crack has period tin reinforcement. Judging from the clean shadow inside from where the label was, I believe the person who recently discovered the drum in an attic had no appreciation for the label's value, allowed it to fall out, and didn't pick it up. I consulted the drum restorer who identified the maker as J. ASHTON. Because of the scarcity and demand for these drums, we've not had one to offer for several years. Here's an opportunity which seldom occurs, to own a classic . $6,500

Anderson Militaria
P. O. Box 39063, Ninilchik, AK 99639
907-567-4474
dandersonmilitaria@gmail.com

Klemm and Brother Drum of Jordan Noble, Free Man of Color



Jordan Noble was a free black drummer famous for beating the long roll at the Battle of New Orleans. Born in 1800 in Georgia, Noble came to New Orleans in 1811 and joined the United States army one year later. He participated in several engagements of the Louisiana campaign. At the Battle of New Orleans, he opened with reveille. He later served as a drummer in the Mexican War of 1846-1848 and rallied New Orleans free men of color to form militia companies on behalf of the Confederacy at the outbreak of the Civil War.

Snare Drum
Klemm and Brother, Philadelphia
c. 1860
Loaned by Gaspar Cusachs
Jordan Noble used this drum later in his career.


Louisiana State Museum, The Battle of New Orleans

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See also, "The Terrible and the Brave: The Battles for New Orleans, 1814-1815"
An Exhibition
May 17, 2005-January 8, 2006
The Historic New Orleans Collection

42 Jordan B. Noble
ca. 1887; photograph with hand inscription
MSS 201, folder 1

Free black men fought alongside regular U.S. troops, volunteers, and militia at New Orleans. Among the most famous of these was Jordan Noble. Though the inscription on this photograph associates him with Major Louis D’Aquin’s Battalion of Saint Domingue Free Men of Color, Noble actually served as a drummer boy for the 7th U.S. Infantry. Noble went on to fight in the Mexican War and the Civil War and played his drum at parades and civic events until his death in the late 1880s.


THE HISTORIC NEW ORLEANS COLLECTION
533 Royal Street
New Orleans, Louisiana 70130
www.hnoc.org

Fluvanna Artillery Drum


Civil War drum belonging to Sergeant Andrew Jackson Webb Fluvanna Artillery, 1 st Battery ..fired the last shot of the Civil War.” - Sold $4,510

Woodside Antiques And Estate Auctions
3760 South Main Street
Farmville, NC 27828
(252) 753-9929

Eagle Drum (non-Standard)


CIVIL WAR DRUM - 12 1/4" tall x 16 1/2" wide. Has been cut down.
Not marked but probably Horstmann. Great paint! Comes with drum sticks and worn out sling.
$ 1,995.00


Bull Run Relics & Coins
309 N. Massanutten Street
Strasburg, VA 22657
540-465-4090

Grover Cleveland Campaign Drum


Grover Cleveland Campaign Drum
Painted with a large green star circled by thirty-three smaller stars and G. Cleveland

This large bass drum retains much of its original red paint on the body and black trim on the hoops. It is decorated with a large green star circled by thirty-three smaller stars, as well as three green bars one of which has "G CLEVELAND" (with the "N" reversed) in silver. The largest star centering the peephole is within a painted circle of white with the remaining stars framed by a painted circle of green. American flags bracket Cleveland. The drum appears to be all-original; no makers name is visible. Included is a pair of leather-tipped drumsticks.

Grover Cleveland (1837-1908) was the first Democrat elected President following the Civil War. He began his political career as the reform Mayor of Buffalo, NY and then became Governor. He ran for President against Republican James G. Blaine and won with the support of both Democrats and Republican dissenters known as "Mugwumps. Though Cleveland won the popular vote in 1888, his opponent Benjamin Harrison won the electoral vote and became 23rd President. Cleveland ran again in 1892 and became the first President to serve two non-consecutive terms. In the next election, the party deserted him for William Jennings Bryant. Cleveland retired to Princeton, New Jersey where he died in 1908. In fine condition measuring 24-inchs high by 25-inch across...ready to be fitted with glass top serving as a great table!

Price: $6,300
297-13


If you are interested in buying any of these items, please call (978) 597-8084 or email David Hillier at drh@aaawt.com or Lynn Morin at lfm@aaawt.com.
Antique Associates at West Townsend, Inc.
473 Main Street | P.O. Box 129W | West Townsend, Massachusetts 01474
Ph. (978) 597-8084 | Fax (978) 597-6704 | Email drh@aaawt.com

NY Militia Drum








Regulation Civil War Infantry Eagle Drum
All parts original and authentic
Circa 1864
Label inside drum reads "C & F Soistmann / Manufacturers of all kinds of drums / No. 458 Dillwyn Street / Philadelphia". Conrad and Frederick Soistmann are listed as drum makers at this address in 1863. This manufacturer had a contract with the Army in 1864 for 1,000 drums. This painted eagle on this drum is excellent with only minor losses of paint. Most of the original tensioners are missing; however, the rope is original and solid. Bottom head is about nonexistent; top head is solid but warped with the top rim fitting loosely. Very good overall.
(15.5" high by 16.5" in diameter.)
Price: $13,750
DKL103

Militia Snare Drum
Possibly New York City
Circa 1860
The dark rosewood shell provides strong contrast illuminating the stylized New York State Arms. The rims are decorated with a trailing vine and leaf motive stenciled with bronze powder. An outstanding open-winged eagle stands on a gold globe with lemon yellow trim; vibrantly colored American flags and two obscured state regimental flags flank the seal above a trophy of cannon barrels, swords and muskets all contributing to the overall balance and success. There is an almost identical drum in the West Point Museum. This drum remains in terrific bright condition and stands at 14.25-inches.
Price: $5,900
570-31


If you are interested in buying any of these items, please call (978) 597-8084 or email David Hillier at drh@aaawt.com or Lynn Morin at lfm@aaawt.com.
Antique Associates at West Townsend, Inc.
473 Main Street | P.O. Box 129W | West Townsend, Massachusetts 01474
Ph. (978) 597-8084 | Fax (978) 597-6704 | Email drh@aaawt.com

Kilbourn Bass Drum ca. 1864-69


Red School House Antiques, catalogue #1052

CIVIL WAR ERA DRUM
19TH CEN AMERICAN CIVIL WAR ERA DRUM BY WILLIAM KILBOURN ALBANY, NY CIRCA 1864-1869
24 3/4" H
$1,800.00

Monday, November 24, 2008

Drum with Characteristic J.H. Buckbee Snare Mechanism


Sold by Jeff R. Bridgeman Antiques:

THE BEAUTIFULLY PAINTED, 19TH CENTURY SNARE DRUM OF W.H. ATKINS, POSSIBLY OF CASTINE, MAINE, 2ND MASSACHUSETTS INFANTRY:

This beautiful Civil War snare drum has a black-painted, elliptical medallion with a very finely detailed, gilt-painted eagle. The eagle is perched in a menacing fashion on the face of a three-dimensional shield. The name “W.H. Atkins” is painted on a salmon-colored streamer that is held in the eagle’s beak. This would have been a stock military drum, on which the name of the soldier could be filled in when presented.

Underneath the eagle is the word “Excelsior”. Latin for “ever upward”, this single word was adopted by the State of New York as its motto in 1778. One might therefore presume that this was the drum of a New York regiment, but it could also be that it was simply produced by a New York drum maker, such as W.S. Tompkins in Yonkers. Tompkins is known to have used the kind of metal rim protectors that are present on this drum, as early as 1860, which are an unusual feature in a drum of this period. Also unusual is the elaborate rod tension post that also tightens the snare. While most drums of this period employed a simple, snare-tightening mechanism that was leather-bound on one end with a metal clamp on the other, some makers, such as W.R. Eisenbrant in Baltimore, used rod-tension apparatus.

Though rod-tension drums were manufactured in Europe as early as the 1830’s, American drums that used rods throughout to tighten the heads were very rare in America until the 1870’s, which is why almost all Civil War drums were of the rope-tension variety, like this one. The drum is accompanied by a pair of ebony sticks that are probably original to its making. Snare drums sticks were often dark hardwood.*

There has been much speculation about the use of symbolism in wartime versus peacetime eagles. This is modern myth. Vexillologist Joe McMillan summarizes the issue succinctly on the Flags of the World Website:

“The eagle on the official U.S. Coat of Arms and seal has always faced dexter [to its own right], toward the olive branch. (Some 19th century military colors had the arrows in the dexter claw or the eagle's head facing sinister, but this was not normal, nor was it ever the case on the great seal, nor did it ever have anything to do with wartime vs. peacetime.)

The Presidential coat of arms (the U.S. COA as depicted on the Presidential seal) formerly had the eagle facing sinister [to its own left], toward the arrows. This design was incorporated into the 1916 Presidential flag. The direction of the head was reversed when the flag was redesigned in 1945, as much to have the eagle facing the honorable dexter direction as to have it looking toward the olive branches.”**

Though the eagle on this drum holds peace branches in both of its talons, the basic format of the eagle (resting atop the horizontal shield, beak open and poised as if to fiercely strike or defend) probably has more meaning. Some have observed that this style is more often seen during 19th century wartime illustrations.

One possibility for the identity of the drum’s owner is William H. Atkins, who enlisted with the 2nd Massachusetts Infantry on the 5th of May, 1861, in the surge of patriotism that closely followed the attack on Ft. Sumter. A sailor from Castine, Maine, Atkins mustered into Company “I” as a private and served only a year before deserting at Williamsport, MD. The fact that he served so short a time might account for the drum’s outstanding condition. Another factor could be that Atkins, age 23, was not a drummer boy, and so only carried his drum when his duties called for band participation. In the case of some of the more well-funded regiments (those who could afford bands), instruments were probably carried by horse and wagon.

According to “Record of the Second Massachusetts Infantry, 1861-65”, by Alonzo Hall Quint, (its Chaplain), the 2nd Mass. had a band, which was somewhat unusual. On page 18, he writes: “The non-commissioned staff was made up as follows:…” “…Henry Kesselhuth, who had been a soldier (and wounded) in the Brunswick service in the revolutions of 1848, drum major; and Charles Speigle was band-leader until regimental bands were discharged. That band, raised under the auspices of P.S. Gilmore, was a rare acquisition.”***

Further support of the theory that this particular W.H. Atkins may have been the owner of the drum lies in the fact that the drum was recently found between the towns of Liberty and Union, Maine. These two small towns are basically across the bay from Castine, (an on-land distance of about 50 miles and shorter by boat).

Condition: Minor breakdown in the leather. Minor paint loss. The drum has no significant issues and is as near-to-mint as one can find in a 19th century example. The fact that it has its original ropes and leather ears is remarkable.

* Kelly, Marvin. “Antebellum American, 1784-1865: Drums in the Civil War Era”, 2001

** McMillan, Joe. “Flag Urban Legends (U.S.): Eagle Faces ... Olive Branch (peace)/Arrows (war)”, 2001

*** Quint, Alonzo. “Record of the Second Massachusetts Infantry, 1861-65”, James P. Walker, Boston, 1867, p. 18.

Inv. Number pat-106

Width (inches): 16"
Height (inches): 11.25"
Depth: 116"
Primary Color: black, red, white, blue
Earliest Date: 1861
Latest Date: 1865
Available: Sold
Price SOLD


Snare Mechanism Identical to J.H. Buckbee Drums

Note from the Blogmaster: Imagine my surprise and delight to find that the above drum bears the rare snare mechanism characteristic of J.H. Buckbee drums. If the dating on the above drum is correct (1861-1865) what does that suggest about the dating of the following two J.H. Buckbee drums bearing the same snare mechanism design?


Known for Banjos, J.H. Buckbee Made Drums Too, published in this blog, April 13, 2008.

Sunday, November 23, 2008

Blue Wreath Eagle Bass Drum (1845-1865)



Sold by Jeff R. Bridgeman Antiques:

HUGE AMERICAN MILITARY LONG DRUM, FLAME GRAIN-DECORATED, WITH LARGE GOLD EAGLE IN BLUE WREATH, 1845-65:

A Long drum is a British-style, field bass drum that is rare among surviving American military examples. This is especially true among long drums that are elaborately paint-decorated.

This is one of two huge long drums that I recently acquired, both of which are equally exceptional, both of which are painted all the way around (as opposed to a painted panel that takes up 30% to 50% of the surface), and both of which have impressive eagles as center medallions on the front. Of the two, this particular example is more unusual, due to its yellow and orange paint decoration that mimics crotch grain mahogany, but in such bright colors that it is reminiscent of flaming birch or some exotic wood. This continues all the way around the shell, the seam of which is decoratively reinforced with brass tacks. A large gold eagle, outlined in black, is at the center of a whimsical border of Prussian blue scroll work, while the rims of the drum are painted a beautiful tomato red.

Provenance: The drum was once on the cover of the catalogue of the Horse Soldier in Gettysburg (one of the nation’s foremost Civil War dealers).

Condition: The condition of the paint is outstanding, with only minor imperfections and loss. The surface was certainly cleaned, but expertly, and there is no in-painting whatsoever. The batter heads, flesh hoops, ropes, and lugs (leather tighteners) have been replaced. This is standard, acceptable and expected in early drums. There is no maker’s label inside, but the shadow remains where one was originally present.

Inv. Number pat-101

Width (inches): 23"
Height (inches): 25"
Depth: 23"
Primary Color: yellow, gold, orange, blue
Earliest Date: 1845
Latest Date: 1865
Available: Sold
Price SOLD

Blue Eagle Bass Drum (1845-1865)


Sold by Jeff R. Bridgeman Antiques:

HUGE AMERICAN MILITARY LONG DRUM, DYNAMIC EAGLE ON A PRUSSIAN BLUE GROUND, 1845-1865:

A Long drum is a British-style, field bass drum that is rare among surviving American military examples. This is especially true among long drums that are elaborately paint-decorated. This is one of two huge long drums that I recently acquired, both of which are equally exceptional, both of which are painted all the way around (as opposed to a painted panel that takes up 30% to 50% of the surface), and both of which have impressive eagles as center medallions on the front. Of the two, this example has a more dramatic eagle, larger and bolder. The Prussian blue background is more traditional, but no less wonderful, and likely indicates that this was an infantry drum. Blue was the specified background color for the drums of an infantry division, though much variation is seen because the organization of volunteer and state militias was rather weak in mid-19th century America and outfitting was vastly inconsistent. The back of the drum is striped in oxblood red and black, outlined in gold, while the banded rims are also in the same red.

There are two perforations on this drum. The original vent hole, rimmed with a whalebone or ivory escutcheon, is decorated with a circlet of brass tacks. A second, make-do hole is covered with a tin escutcheon. Unlike the first, it is rather battered with wear. While it appears to be a second vent hole, it is possible that it may actually be a place in which to secure the drum to a strap. In any event, it was obviously utilitarian and is rather unusual.

Condition: The condition of the paint is outstanding, with less than expected loss. The surface was certainly cleaned, but expertly, and there is no in-painting whatsoever. The surface was re-coating with shellac afterwards according to one of two repair labels on the interior (dated 1961 and 2007). The heads, ropes, and ears (leather tighteners) have been replaced, also as noted. This is standard, acceptable and expected in early drums. There is no maker’s label unless a repair label was placed on top of it.

Inv. Number pat-102

Width (inches): 25"
Height (inches): 27"
Depth: 25"
Primary Color: blue
Earliest Date: 1845
Latest Date: 1865
Available: Sold
Price SOLD

Early NYS Militia Drum (1812-1848)



Offered for sale by Jeff R. Bridgeman Antiques:

VERY EARLY NEW YORK STATE MILITIA DRUM WITH EAGLE STANDING ON A GLOBE, 1812-1848

New York State militia drum, manufactured sometime between the War of 1812 and the Mexican American War (1846-48), though it could have potentially been carried into the Civil War (1861-65) by the existing militia unit to whom it belonged. The primitive eagle has great folk style and is indicative of pre-Civil War imagery. When shown standing on this half globe it allows easy attribution of the drum to a New York State unit, as the same symbolism can be found on many early New York State items.

The eagle may not be elaborate, but it has strong folk qualities and canted to one side, it speaks of a time approaching 200 years ago, when America was a much different place and military forces were primarily comprised of unorganized volunteer men. The globe is shaded with blue graduating toward white and the whimsical yellow crescents, accompanied by 8-pointed stars, adds a great deal to the overall presentation.

Construction & Condition: The drum is constructed of an ash shell with white oak rims. Painted with an oxblood red stain, the shell is fastened with decorative brass tacks and a row of tiny, tightly spaced, cut copper tacks. The hemp rope is early but not original. Rim wear indicates extended play and the drum would have had to have been well-maintained to have sustained suc use, which would have required rope replacement. The leather ears are great. All are early, some in-use replacements and some original. The skins are also early, though period replacements. The bottom one is split. Though cracked an broken, the original snares are present, which is a great feature.

Inv. Number pat-112

Width (inches): 13.5"
Height (inches): 16"
Depth: 13.5"
Primary Color: brown
Earliest Date: 1812
Latest Date: 1848
Available: Available
Price $2,850

Saturday, November 22, 2008

Old Drum Restored in North Carolina


Civil War drum: the beat of history

The old drum stood in a dark corner of the second floor at the former Cleveland County, N. C., courthouse building, artifact of the historical museum once housed there. Volunteers cataloguing the artifacts could find no identification number on it. Without that, its history couldn’t be immediately looked up in the former museum’s accession registers.

Volunteer Ned Cash [in photo above] took on the job of classifying and documenting the artifact. A percussionist himself, he could virtually hear the sound of the old drum even though its drumheads are long gone, its barrel gouged, and its fittings in disarray. He pointed out the drumsticks (right), explaining how one made big booms and the other quick and light.

And he had the nudging feeling that somewhere he’d heard about an old drum such as this, quite likely through his work with the Broad River Genealogical Society. His day at the old courthouse done, he researched further and made some calls.

Back came his report: “It was Alexander Norton Harmon’s drum,” Ned said. “He was field drummer in Company G of the 49th Regiment of the North Carolina Infantry during the Civil War. It was donated by his grandson, Earl Harmon.” And the old drum suddenly had stories to share.

Alexander Harmon, the sixth of eight children of Mr. and Mrs. Heywood Harmon, was born in 1845 in the Kings Mountain, N. C., area. So he must have been less than 20 years old when he enlisted in Company G of the 49th Regiment formed in March 1862. The company was called the “Kings Mountain Tigers,” and it functioned as a part of the regiment throughout the war.

According to regimental history, the 49th “fought with the Army of Northern Virginia from the Seven Days’ Battles to Fredericksburg….[I]t was active at Drewry’s Bluff and Cold Harbor, took its place in the Petersburg trenches south of the James River, and saw action around Appomattox. This regiment lost 14 killed, 75 wounded, and 16 missing at Malvern Hill, had 16 killed and 61 wounded during the Maryland Campaign, and had 9 wounded at Fredericksburg. Many were disabled at Sayler’s Creek, and it surrendered 11 officers and 95 men on April 9, 1865.”

Ned heard the story of young Alexander’s coming home on a train after the war. With a crowd of troops there was no room inside the train for his drum. Determined to keep it with him, Alexander tied the drum onto a ledge on the back of the train. And thanks to that ingenuity, it survives today in the historical old county courthouse.

Alexander Harmon died in 1914 and is buried at El Bethel Methodist Church cemetery near Kings Mountain.

Vivid information about field drums and the unique role of drummers and other musicians in Union and Confederate armies is available at the Web site of the Gettysburg National Military Park. A sample:

“Each company in an infantry regiment had a musician who was usually a drummer,” the Web site says. “They were relied upon to play drum beats to call the soldiers into formation and for other events. Drums got the soldiers up in the morning, signaled them to report for morning roll call, sick call, and guard duty. Drummers also played at night to signal lights out or 'taps.' The most important use of drums was on the battlefield where they were used to communicate orders from the commanding officers and signal troop movement.”

Would you like to hear how the old drum might have sounded? The Civil War Fife and Drum Page contains a schedule and sound clips of daily calls sounded by musicians in military camps. The site also has details and diagrams of drum construction.

Contributors: Pat Poston and Ned Cash
Posted to "Preserving Our Past / Embracing Our Future", a blog by the History Committee of Destination Cleveland County in the foothills of North Carolina. Saturday, March 22, 2008

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Please see "Large Tacked Snare Drum", an article on my blog "Field Drums" at http://www.fielddrums.com/2008/07/large-tacked-snare-drum.html about a drum that looks to be approximately the same size. [Before and after photos below]


I am interested in your drum and any information and additional photos you might be able to provide for publication on our blog "Field Drums".

I would very much appreciate hearing directly from Ned Cash who can contact me at Blogmaster@FieldDrums.com.

Thank you very much.

Ellis Mirsky
Blogmaster@FieldDrums.com

Friday, November 21, 2008

Hollowed-out Log Drum Used by Confederate Drummer

Now, this is not the prettiest drum we've ever seen. In fact, it may be the ugliest. But it shows ingenuity and determination -- classic American virtues. Sure, it doesn't exhibit the fine craftsmanship of a Wm. S. Tompkins drum (far from it). Rather, it looks like the work of someone more like a backwoodsman hard-pressed to make a drum, large on effort, short on skill. Nevertheless, the fundamentals are there and the drum appears to have some decent provenance (see below).




Will Chappell wrote:

Today, I attended an auction at the Harlowe-Powell Auction Gallery in Charlottesville, VA and had the opportunity to see in person the alleged Confederate drum for sale (listed as ebay item 120329967170 [offered by harlowepowell( 620)]). What was most interesting about this drum was the fact that the shell was made from a hollowed-out log. From the photos you can see that the grain runs vertically. But since there is absolutely no overlap seam, it would be impossible for the drum to be steam-bent or veneered. The shell was about 1/2" thick, which made the drum unusually heavy. There were no snares on the drum and it came with a set of drumsticks which appeared to be hand carved rather than lathe-turned.

The family story states that the drum was sent home with the owner's body, but a conflicting account (perhaps from official records) gives a more logical explanation of how the drum made it back to the soldier's home.

"William D Land - Enlisted 8/15/61, Age 25, Captured 7/9/64 while home on furlough, Died 12/25/64 at Camp Douglas, Ill of small pox, Buried at Oak Woods Cemetery, Chicago, Illinois"

"according to family history, the drum belonged to William D. Land, Phillip's Legion Georgia infantry company E". He was killed at battle of Chickamauga, GA, and the drum was sent home with his body. 15" H, 16" Dia., as found condition."


eBay reports an inquiry and response concerning the drum which fetched $2,550:

Q: We have some possible interest in item # 346 (drum) coming up at auction on Nov 21. How good is the family provenance on the item? The information I have on William D. Long in Co. E of Phillips Legion Infantry says that he enlisted Aug 15, 1861, age 25, captured Jul 9, 1864 while home on furlough, died Dec 25, 1864 at Camp Douglas, IL of smallpox, buried in Chicago. Sam Thomas Curator T.R.R. Cobb House 175 Hill Street Athens, GA 30601 sthomas@trrcobbhouse.org 706.369.3513 phone 706.354.1054 fax www.trrcobbhouse.org Nov-14-08

A: The consignor purchased the drum at the auction of the personal property of Mr. & Mrs. C. D. Panter on June 19, 1979 in North Canton, OH. Mrs. Panter said the drum belonged to her uncle, William D. Land. Perhaps this was misunderstood, and the name is Long instead of Land. We have a clipping of the announcement of the auction sale from the Akron Beacon Journal which has as a lead item "Civil War Confederate drun used in the Civil War".


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Sales History
Date/Pre-Sale Estimate/Lot No./Amount
21 November 2008$500-$1,000/346/Pending

Harlowe-Powell Auction
2109 India Rd
Charlottesville, VA 22901
PHONE: 434-292-2904
FAX: 434-295-1978
URL: http://www.harlowepowell.com

Tuesday, November 18, 2008

A Confederate Civil War Drum returns to New Bern

[Blog reader Will Chappelle brings this information to our attention from the Fall 2006 edition of Tryon Palace, a magazine published quarterly by the Tryon Palace Council of Friends. The following article was copied from that source without permission, pursuant to the fair use doctrine. No claim of original generation or added content is made. The material is exactly as it appears on that organization's website. It is reprinted here for the interesting and important facts stated. Also, see related article, "The $28,000 Drum of New Bern, NC" published in this blog, May 13, 2008]


By J. Dean Knight,
Registrar
The Palace
Tryon Palace Historic Sites & Gardens. Vol 7, No. 1, Fall 2006
A publication of the Tryon Palace Council of Friends

There has been an avalanche of puns and clichés used to introduce the Confederate snare drum recently added to the Tryon Palace Collection. Superlatives – not puns and clichés – are best employed to describe this arguably unique acquisition. Constructed in 1861 by Edwin Clayton, a cabinet maker working in Asheville, North Carolina, the drum body is made of thin layers of wood glued and then rolled around a form to give it its shape. The overlapping pieces of wood were then tacked in a double line with a reinforced decorative tack circle between the two parallel rows of tacks.

The body of the drum was painted a deep rich red and the top and bottom hoops, which secure the heads, painted blue to signify this was an infantry drum. On the side of the drum the words “THE OLD NORTH STATE” encircle a fi ve pointed star. The upper (or batter) head is made of cow hide secured with two wooden hoops.

The lower (or snare) head, also secured with two wooden hoops, is made of sheep skin. A series of six to eight gut strings were pulled tightly against the snare head to give the characteristic resonance of a snare drum. Apart from the very intriguing construction methods used to fabricate this instrument are the several inscriptions found on the drum heads and on the inside walls of the drum.

On the bottom head of the drum, in a clear hand is written, “Captured at the battle of Newbern [sic] N. C. March 14 1862, 21st Mass Vols…” For the knowing reader this inscription alone excites a sense of being there. The Battle of New Bern has been clearly documented and the movements of the 21st Massachusetts delineated so one can almost visualize the drum itself being wrenched from the hands of the young Confederate drummer in the heat of battle as the Union Army advanced on New Bern.

As for the captor of the drum, we have a clear understanding who that most probably was thanks to another set of inscriptions on the drum. On the inside bottom head is the inscription, “L. L. Lamb/Fichburg [sic] Mass.” and the letters “L.L.L.” in a serrated cartouche. Research into 1860 census records for Worcester County, Massachusetts, reveals a 21-year-old L. Lamb working as a mechanic in the town of Fitchburg. And United States National Archives’ Civil War Military Service Records lists a Private Levi L. Lamb in Company D of the 21st Massachusetts Infantry.

Additional war records show that Levi L. Lamb, musician, was discharged in Akron, Ohio after serving two years, 10 months, and seven days in the 21st and 36th Regiments of the Massachusetts Volunteers of the Union Army.

Additional 1880 census records of Crawford County, Pennsylvania, indicate Levi L. Lamb to be living in that county with his mother Hannah, wife Jane, and sons Harvey and Osborn. Unfortunately, later court records from Crawford County Pennsylvania show a Levi L. Lamb certified as a “habitual drunkard.”

All of these inscriptions and the individual parts of this Confederate Civil War drum are like pieces of a puzzle, which, when assembled, gives us a vivid picture of a period in our history that words in a text cannot convey. Objects combined with research enhance the learning experience, excite the imagination, and make history and heritage flicker with life.

As an institution charged with the preservation of historic artifacts, Tryon Palace Historic Sites & Gardens is constantly vigilant in its search for objects which help to portray the history of North Carolina. When this drum became available through auction of noted North Carolina artist Bob Timberlake’s collection, TPHS&G staff began work to authenticate the drum and its provenance. At the same time, Tryon Palace Commission members began the process of securing the necessary funds to purchase the drum.

After the auctioneer’s hammer fell to conclude the successful bidding by the TPHS&G representative, auctioneer Robert Brunk of Brunk Auctions, Asheville, announced that the drum had been purchased by Tryon Palace Historic Sites & Gardens and would be returning to New Bern. There was a spontaneous round of applause from some 300 to 400 auction attendees, all pleased the drum would become a part of North Carolina’s public history.


The Battle of New Bern has been clearly documented and the movements of the 21st Massachusetts delineated so one can almost visualize the drum itself being wrenched from the hands of the young Confederate drummer in the heat of battle as the Union Army advanced on New Bern. (Photo courtesy of Brunk Auctions)


This Confederate drum is now a part of Tryon Palace Historic Sites & Gardens’ ever-growing Civil War collection. The drum features this handwritten inscription on its head: “Captured at the battle of Newbern [sic] N.C. March 14th 1862, 21st Mass Vols...”.

Post-CW Brass Drum



eBay no. 250325919975 offered by atomic-asis( 248) described as:

This is a Late 1800's Miltary Snare Drum. We've had a few people looks at this and this is what we have been told.
"Hi Mark, I would estimate that your drum was made just after the civil war era. These brass drums with painted rims and solid tension mechanisms are quite commonly found to be of the late 1870 - 1890 period. I hope this is of some help. You might also like to take the drum outside in bright light and look through the small hole in the body. There is often a makers label inside and can often date the drum accurately." -Civil War Preservationist
Another gentleman who is a specialist on vintage drums thought that it was post-civil war due to the fact that there is brass hardware on the drum. He also noted that the snare used fibrous string instead of metal and the heads are calfhide.

What Do Spanish American War Era Drums Look Like?


Well here are two possibilities:

1. Reader Randolph Davis (Davis.Randolph@gmail.com) wrote to point us to a postcard (copy above) of a drum & bugle corps that Randy suggests shows Spanish-American War period drums. The postcard was on eBay as no. 250324080119 and was purchased (by me) for $10.87.



2.Minnesota Volunteers. This is an 8 x 10 picture including the cardboard frame. The frame has some damage and age spots, but the picture itself is free from tears etc. There is a fold-tear in the frame in the bottom left hand corner, see the scan. The historical value here is what is so neat! In researching this picture, I found some good information. I think this is a picture from the Spanish American War or shortly thereafter. There was another picture with this one that was dated 1909. Not sure if this is also the time frame or not. This picture shows a wonderful old band of the time period. The drum is very neat so I put a close up in there. Photo has the word Tenner on it. Below the photo it says: Flynn Photo Co. Camp Mackenzie Augusta, GA. Home Address 1237 B St. S.E., Washington D.C.

eBay no. 190267057107 auctioned by piney( 834)

Drummer's Business Card


A drummer's business card. Need a drummer? Call P.R. Winn (or leave a message for him at Henry Prentiss' Music Store, 33 Court Street (Boston). Want to learn to play the drum, including all Camp duty? Same guy. And, he'll make or repair a drum on short notice.

eBay no. 160299174761 offered by duggit99( 3691).

Sunday, November 16, 2008

Jacob Stewart (Pittsfield) 1862 Field Drum

22nd Regiment, Company F, Connecticut Volunteer Infantry field drum attributed to Private Frederick J. Colvin.

eBay no. 110312392346, offered by mohawk-arms-inc( 991) is described as:

Named Connecticut Regiment Civil War drum. 12 5/8” high with original red painted hoops and most of the leather tabs on the rope ties. 16 5/8” diameter with the original stabilizing cords and adjusting device. Top skins split, but does not affect the large black script “F. J. Colvin. Co. F. 22nd Regt. C.V.” over an American shield and “Hazardville”. Bottom skin is intact. The body of the drum shows expected signs of age, but has most of the original finish and has an ivory ring around the side hole. Inside of drum has a full maker’s label “JACOB STEWART – MANUFACTURER OF – Military and Toy Drums…WATER STREET – PITTSFIELD, MASS.” and penciled “1861”. (Stewart is a documented maker of Civil War drums). Also with a pair of period drumsticks, a cloth shoulder belt and research materials which include copies of Colvin’s Muster Roll records and the State of Connecticut Vital and Headstone Records relating to him. (Frederick J. Colvin joined/enrolled in the 22nd Connecticut Volunteers on 25 August 1862. The Muster Rolls list him as a Private for the period between 20 Sept. 1862 and 7 July 1863. These same dates correspond to the mustering in and out of service of the 22nd Regiment. Colvin took part in the Defense of Washington, the Dec. 20-30 1862 expedition to intercept Stuart’s Cavalry, Siege of Suffolk and other actions.) Condition II

Estimate: US $2,750.00 - US $5,000.00

Friday, November 14, 2008

The John Henry Kurtz Collection

Randy Davis wrote:

The drums posted yesterday [Heritage Auction Galleries, Dallas, Texas, Catalog: 2008 NOV Signature Civil War Auction #6015] are from the John Henry Kurtz collection. John Henry of New York died last year I believe and tragically his collection, which he accumulated over the course of his life, is being parsed to the highest bidder, I understand by his surviving family members. Since, after looking at the beginning bids, this is the closest most of us will ever get to these things, I should add that there is a pan and zoom feature at the auction house website ... .

This should interest us poor, knowledge seeking musician types. I've already been through it in detail, and saved the images in my personal data archives with source descriptions.

Best,

Randy Davis

Thursday, November 13, 2008

Star-studded Civil War Presentation Drum (Klineyoung)

eBay seller heritageauctionsinc( 66) is auctioning this albumen image of Civil War musicians (eBay no. 260311308027) from its catalog "2008 NOV Signature Civil War Auction #6015":


Regulation Style Company Grade Civil War Drum. "Presented to/ Wm. H. Klineyoung/ Co. D/ By the members of the/ 1st Inft Regt P. R. V. C." is the Script Engraved Legend on the 1½" X 2¼" Period Silver Plaque Affixed To The Body Of The Drum. 15" high, 16" diameter with maple body, red painted hoops and brass tack decoration with incised five pointed star surrounding the air hole. Retains the remnants of an illegible paper label. The hoops retain 8-0% of the original red paint and crazed varnish, while the ropes, heads and tighteners all appear to be original and in near perfect condition. Body with nice rich patina. Klineyoung enlisted on June 8, 1861 and mustered as a musician into Co. D of the 30th Infantry Regiment (1st Regiment Reserves) , serving until June13, 1864. The regiment lost 372 killed and wounded during Klineyoung's term of service including heavy action at Mechanicsville, Antietam, Fredericksburg and Gettysburg where, ironically, many of the men of the regiment, who were natives of Gettysburg, found themselves defending their own homes. A great Civil War drum, loaded with character and steeped in the history of one of the hardest fought regiments of the war.

Estimate: US $8,500.00 - US $9,500.00

Magnificent 14th Infantry Regulation Eagle Drum


eBay seller heritageauctionsinc( 66) is auctioning this magnificent 14th Infantry regulation eagle drum (eBay no. 260311305856) from its catalog "2008 NOV Signature Civil War Auction #6015":

Regulation Civil War Eagle Drum of the 14th United States Infantry. The 14th was constantly engaged with the Army of the Potomac from 2d Bull Run to Weldon Railroad. At Gettysburg, primarily on July 2, the regiment suffered casualties of 141 men killed and wounded. The drum is regulation in every detail, 16" high, 16" diameter. The paint decoration exhibits brilliant colors with eagle and shield surmounted by sunburst stars and clouds and "14th Regt. U. S. Infantry" in the riband. Brass tack decoration around the air hole with original paper label of "J. F. M. Joerdens Manufacturer of Military drums of all kinds, No. 51 Maiden Lane, New York." Hoops retain about 90% of the original red paint and drum overall retains about 80% of what appears to be the original varnish. Heads, snare, rope and tighteners, which are marked "Alers" all appear to be original. There is a very old line crack that runs 2/3 of the way around the drum but barely touches the paint decoration, with no loss and detracts little, the drum being perfectly sound. A rare and historically important Civil War regular US Army drum.

Estimate: US $9,000.00 - US $11,000.00

Rare "Colored Regiment" (55th) Engraved Brass Drum



eBay seller heritageauctionsinc( 66) is auctioning this brass drum engraved with the name and regiment of its owner Thomas Baker of the 55th Regiment Massachusetts Volunteers (eBay no. 260311307924) from its catalog "2008 NOV Signature Civil War Auction #6015":

Most Rare, Probably Imported, Brass Body Civil War Infantry Drum, Inscribed on the Body in Period Script Engraving, "Thomas Baker 55th Regt. Mass. Vols." The 55th Massachusetts was the second 'colored' regiment formed in the Union army and its nucleus was the men left over from the recruits of the famed 54th Mass., with Col. Norwood Halowell of the 54th commissioned as the regiment's commander. Typically for black regiments, the unit's early months of service were occupied with fatigue duty in South Carolina. Finally on Feb. 20, 1864, alongside the 54th Mass. the regiment was engaged at the Battle of Olustee, Fla. They were subsequently engaged, again with the 54th, at James Island, S. C. on July 2. The regiment was heavily engaged at Honey Hill, where it lost 139 men killed and wounded. Baker, an 18 year old black laborer from Xenia, OH., enlisted in the 55th May 13, 1863, and was present, doubtless accompanied by this drum, at all the actions listed above serving until discharged on August 29, 1865. This is one of only two black infantry regimental drums known to exist. A remarkable Civil War artifact of inestimable rarity and value.

Estimate: US $12,000.00 - US $15,000.00

James Deas (5th Maine) Presentation Drum by A.W. White (Boston)


eBay seller heritageauctionsinc( 66) is auctioning this presentation drum by A. W. White (eBay no. 260311305370) from its catalog "2008 NOV Signature Civil War Auction #6015":

See Heritage Auction site for the Deas drum and the drum sticks.

Civil War Snare Drum "Presented to/ James D. Deas/ 5th Maine Drum Corps by the Members of Co. C" is the Engraved Legend on the Period Silver Plaque Affixed to the Body of the Drum, with Decorative Floral Border, Untouched/ Uncleaned. The drum is 11¾" high 17" diameter, plain maple body with black painted rims. Overall near perfect condition with rims retaining 90% of the original paint, the body with most of the original varnish and what appears to be the original heads, ropes, snare and tighteners which are decorated with five pointed stars. Ebony air hole and retains the original paper label of "A. W. White...No. 86 Tremont Street, Boston, Mass." Include with the drum is the original leather sling with adjusting buckle and brass snap swivel, along with Deas's discharge from the 5th Maine. Deas enlisted with the 5th April 24, 1861 and served until July27, 1864 when he discharged and subsequently enlisted with the 12th Maine infantry, also as a musician, serving until March 18, 1866. Deas served with the 5th Maine through eleven battles, doubtless with this drum in his possession, including Antietam, Fredericksburg, Chancellorsville, Gettysburg, The Wilderness and Cold Harbor. A great rarity with a superb history.

Estimate: US $5,500.00 - US $6,500.00


Also Deas' presentation drumsticks are at auction as eBay no. 260311308324



Set of Inscribed Civil War Drumsticks. 17" heavy rosewood sticks with 1" silver ferrules at the bottom. Each ferrule neatly script engraved, "J. D. Deas/ Co.C/ 5th Me. Vol.". Deas served in the 5th Maine from 1861 to 1864 and was with this hard fought unit in every major action. He subsequently served in the 12th Maine. The drum presented to Deas in 1861 is listed above. Perfect untouched condition and very rare. Also included is Deas' original discharge from the 12th Maine.

Estimate: US $800.00 - US $1,200.00

Porter Blanchard Drum



eBay seller heritageauctionsinc( 66) is auctioning this Porter Blanchard drum (eBay no. 260311305383) from its catalog "2008 NOV Signature Civil War Auction #6015":

Classic Regulation Style Company Grade Civil War Infantry Snare Drum. 16½" high, 16" diameter. Maple body excellent with just some scattered scratches and light dents with nice patina. Hoops retain 80% of the original red paint. Noteworthy seam indicating the drum could actually pre-date the Civil War. Original paper label, "Bass & Tenor Drums and Ebony Drum Sticks Manufactured and Sold By Peter Blanchard, Concord, N. H." Ropes, tighteners, heads and snares all about perfect. Choice example.

US $2,500.00 - US $3,500.00

Albumen Image of CW Musicians


eBay seller heritageauctionsinc( 66) is auctioning this albumen image of Civil War musicians (eBay no. 260311307750) from its catalog "2008 NOV Signature Civil War Auction #6015":

Great Civil War Albumen Image with Period Ink Script Note Accompanying "Musicians for Company I 77th Illinois Volunteers". All wear regulations frock coats, sashes, sword belts, shoulder scales, M1840 non com swords and bummer's caps. One man with painted eagle drum and fancy embroidered sling, another with a rotary valve horn. Superb quality, near perfect condition, just a few very minor minor scattered stains, barely noticeable. Archivally mounted in a period walnut frame. The ultimate Civil War musicians photograph.

Estimate: US $1,200.00 - US $1,500.00

Tintypes of Civil War Drummers

eBay seller heritageauctionsinc( 66) is auctioning these tintypes from its catalog "2008 NOV Signature Civil War Auction #6015":

eBay no. 260311307843:


Most Unusual Pose, CDV Portrait of a Civil War Federal Infantry Drummer. Wears regulation style musician's frock, probably state issue, opened exposing military vest, bummer's cap. Posed with his right foot resting on his drum which is lying on the floor. Neat image, and a casualness rarely encountered in Civil War period portraiture. Fine quality, very good condition. No backmark.

Estimate: US $800.00 - US $1,200.00


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eBay no. 260311308859:



Great CDV Portrait of Civil War Drummer Marcus F. Jones of the 1st Michigan Engineers. Wears shell jacket, bummer's cap that looks huge on his head. Waist belt with rectangular plate and over the shoulder sling. Drum appears to be suspended from the belt, again looking huge compared to the diminutive Jones. Holds sticks on drum head poised to play. Period pencil ID on verso, "Drummer Boy Co. E 13 years old when enlisted now 15 years old May 1863 Marcus F. Jones" Also ink script signature "Yours Truly M. F. Jones." Fine quality, very good condition. Apparently taken shortly before Jones' discharge on May 18, 1863.

Estimate: US $1,200.00 - US $1,500.00


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eBay no. 260311308900:



CDV Union Civil War Drum Major. Unknown soldier posing with his set of drums in photographer's studio. Great image of infantry sergeant major wearing kepi, frock coat, gauntlets, and sword. Very fine quality and condition., clipped corners. very rare.

Estimate: US $600.00 - US $800.00

21st Reg. Mass. Vol. Drum


eBay seller heritageauctionsinc( 66) is auctioning this unique and outstanding New York State Civil War drum (eBay no. 260311307970) from its catalog "2008 NOV Signature Civil War Auction #6015":

"Drum Corps 21st Reg. Mass. Vol." is the Gilt Painted Legend Surrounding an Eagle Surmounting and American Shield with Panoply of Flags Painted on the Body of this Civil War Snare Drum. 13¼" high, 17" diameter, maple body, hoops and air hole. Retains the original paper label inside, "The Massachusetts Drum Manufactory, John C. Haynes & Co. 33 Court St., Boston" also retains what appear to be the original heads, snare, ropes and leather tighteners. Retains much of the original varnish with nice patina. The 21st Mass. was engaged at Roanoke Island, 2d Bull Run, Chantilly, South Mountain, Antietam and Fredericksburg and numerous other actions. A great ID'd Civil War eagle drum.

Estimate: US $6,000.00 - US $7,000.00

Civil War New York State Snare Drum


eBay seller heritageauctionsinc( 66) is auctioning this unique and outstanding New York State Civil War drum (eBay no. 260311308096) from its catalog "2008 NOV Signature Civil War Auction #6015":

Great Civil War Paint Decorated New York State Infantry Snare Drum with Gettysburg Association. The drum was fully restored with new heads, ropes, tighteners snares and snare tighteners in 1989 by noted drum authority W. H. Reamer. 14" high, 15" diameter. The 12" diameter paint decorated panel depicts a variation of the new York state seal. Large "Excelsior" riband at the top, underneath which in bright yellow paint is "Gettysburg 1863". An eagle on globe is perched atop an American shield, diagonally bisected by a red, white and blue band. The shield is flanked on both sides by American flags. The drum also exhibits "Gettysburg July 2d 1863" in the same yellow paint on the bottom hoop (now protected by a Lucite plaque. Additionally, carved on the upper hoop is "T. E. 129 NY". Ironically the 129th new York was not at Gettysburg and was redesignated the 8th new York Hvy. Arty. Oct 3, 1862, at which time they doubtless turned in their infantry drums resulting in their issue to another regiment, thus finding its way to Gettysburg. The 129th was also heavily fought losing 361 men killed and mortally wounded. A gorgeous drum and especially desirable with this Gettysburg association.

Estimate: US $8,000.00 - US $12,000.00

Civil War Drumstick Holder with Original Sticks


eBay seller heritageauctionsinc( 66) is auctioning a set of rosewood drumsticks and a brass stick holder (eBay no. 260311307331) from its catalog "2008 NOV Signature Civil War Auction #6015":

Civil War Drumstick Holder with Original Sticks. "Regulation" style brass plate with heavy brass ferrules for the sticks, original iron wire fastening hooks on the back for attaching to the drum sling. One corner with a minor bend and remains of an old coat of gilt paint, otherwise excellent, untouched. Very nice pair of heavy rosewood sticks, unquestionably period with bulbous tips, just some minor dents from honest use, excellent. Nice set.

Estimate: US $800.00 - US $1,000.00

Civil War Grouping of Hiram F. Stover, Drummer


eBay seller heritageauctionsinc( 66) is auctioning a grouping (only the projection described below is shown here) of Civil War musician's items (eBay no. 260311304972) from its catalog "2008 NOV Signature Civil War Auction #6015":

57198: Civil War Grouping of Hiram F. Stover, Drummer

Civil War Grouping of Hiram F. Stover, Drummer, Co. C, 3rd Penna. Hvy. Arty. Stover enlisted on Feb. 11, 1864 and was mustered out Nov. 9, 1865. Great 2½" X 3½" tintype portrait of him in four button blouse and kepi with his drum, paint decorated with eagle and shield, suspended from a linen sling, sticks poised to play. Interestingly one of the sticks has clearly been broken and repaired. A few small abrasions at the top, otherwise excellent in the original walnut frame. Threaded spear point tip from a Civil War guidon/ flag pole top retaining 90% of the original gilt. A Civil War mother of pearl "sweetheart" pin, heart shaped, 7/8" X 15/16", with tiny neatly scratched letters "H. F. S./ Bat C/ 3rd Art/ Pa" filled in with ink and a red inked incised line around the edge. Early brass safety pin style back, pinned to a piece of sky blue uniform cloth, probably from an overcoat. Also a 16" X 20" post war "projection" image, obviously taken from the tintype, highlighted with water color and charcoal. Really one of the best of these we've ever seen. Interestingly it shows several modifications from the tintype including closing the coat, adding some buttons and a waist belt with rectangular buckle. Very nice Civil War musician's grouping.

Estimate: US $1,800.00 - US $2,200.00
[plus 20% buyer's premium]

Labels: , , ,

17th Lancers Regimental Side Drum

Even though this drum falls outside the usual scope of this blog's coverage (American field drums), I think that it may be a Potter drum and of sufficient historical significance to merit our attention.


eBay seller curassier( 673) describes eBay item no. 190265248454 as follows:

FULL SIZE, AUTHENTIC ROPE-TENSIONED SIDE DRUM FOR THE 17TH LANCERS (DUKE OF CAMBRIDGE'S OWN) ALL HAND PAINTED IN MODERN ERA BY C.A. COLLINS, BATTLE HONOURS UP UNTIL AMALGAMATION WITH THE 21ST LANCERS IN 1922. IN GREAT CONDITION; A VERY IMPRESSIVE DISPLAY PIECE. DRUMSKINS IN FINE SHAPE.

By email I asked the seller whether the drum was vintage or a relatively recent reproduction. The reply came from shoafrs@aol.com:

I believe it is an old Potter drum that has been refurbished in the last 10-15 years, since I have owned the drum for over 10 years. As you may know, the 17th Lancers amalgamated with the 21st Lancers in 1922, and I do not believe the drum dates back that far. I am only selling since I want to buy a Grenadier Guards drum, and I only have room for one!

Tuesday, November 4, 2008

10-Point (vertical alignment) Star Inlay Drum Imported by Klemm (Philadelphia)


Offered recently by eBay seller equestriangent( 130) in an auction (eBay item no. 160294772930), which at $611.50 failed to break the reserve, is this drum. The seller has a "Buy It Now" price on eBay of $1,410.00 -- not unreasonable for the refurbished drum and sticks but high for the market, especially in view of the sudden drop in the DJIA and world economies. And high for what appears to be a cut-down drum (note the vent hole and inlay design are slight high of center (vertically)).

The seller wrote: Here we have a Circa era 1862 Civil War Drum and sticks. It is in superb condition, showing beautiful age. It is not damaged in anyway! This skin is solid on both sides and show avearge use. The orange colored bands show some minute aging and use also, but is not detracting from this piece. All the above is expected with such an item! Ropes are solid and tight, and are all original. Sticks are also in beautiful condition as show in the pictures. Sides of the drum are preserved wonderfully and looking at the star it has a whole in the center. Taking a peak through, one will discover the original makers tag inside the drum still attached! It reads as follows: FROM KLEMM & BROTHER Importer, Manufacturers, & Wholesale Dealers in Musical Instruments, Strings &C. NO. 705 Market Street Philadelphia. The tag (no photo available yet) is intact, and many of these drums are not lucky to still have such a maker mark still with it besides one that is clear as day!

CW Drum Sticks

Veteran collector, musician and expert js580( 464) snagged this imperfectly matched pair of dark wood beauties for $54.02 from eBay seller thecoincave( 673) in the recently closed eBay auction of eBay item no. 150305881335. The sticks were described as "Civil War Drum Sticks" and posted on eBay with the above photos. The seller added this descriptive information:

19th century (Civil War?) drum sticks bought in Gettysburg, PA. in 1993 from the most reputable Civil War memorabilia dealer in Gettysburg...THE HORSE SOLDIER!!

As was typical for the era, the sticks are rosewood, not machine crafted and probably not crafted at the same time as a set. I have no idea who made them or used them...they are exactly matched in length (17.25") and 3/4" girth but one weighs approx. 3 oz. and the other 3.6 oz. and one is darker than the other. They were purchased together and it's quite possible the last drummer to use them, used them as a set. The feel is matched enough that they work together well enough.

Civil War Horstmann Eagle Drum


eBay seller alexanderautographsinc( 1498) has posted this CW Horstmann for auction at eBay 190262545737 in its November Autograph Auction - Part I; 11/6/2008, 10:00 EST as Lot 139: CIVIL WAR ERA EAGLE INFANTRY DRUM described as follows:

A Civil War-era drum with emblazoned eagle and Union shield adorning the shell which appears to be made of maple, 17" diameter, also bearing metal tack design, red and white painted trim and a peep hole within. Manufactured by "Wm. H. Horstmann & Son, Military Furnishers, 51 N. 3rd St., Philadelphia". Appears to be re-strung, bottom skin tattered, top skin intact. A great relic for display. This drum is attributed to drummer Nelson R. Masters of the 67th Ohio Vols. who mustered-in on July 8, 1862 and served until June 21, 1865. He was wounded in action at Petersburg on April 4, 1865. Sold with Master's records.

The auctioneer estimates a sale price in the $3,000 to $4,000 range plus a 22.5% buyer's premium.

Contact:
Alexander Autographs
860 Canal St.
2nd Floor
Stamford CT, 06902
USA
Location Tel : 203.276.1570
Location Fax : 203 504 6290